Leadbelly Library Of Congress Recordings Torrent
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They tell me, that Murray was a man of his word, and he did record about 150 songs for Asch, and many of those songs were recorded in the Library of Congress Archives. It is very unlikely he ever recorded for Asch if he didn’t feel he owed the company something in return. And, since he was not an official member of the Library of Congress Folk Music Archives Board, it seems most likely that he was not involved in organizing the Archives until the Library took over his work. No doubt, it was very much his idea, and he did it, and went to bat for it, with the Library’s Folklore Board.
Since Guthrie was working with Asch as a favor, he was pleased to take part in organizing the Library of Congress Folk Music Archives. Guthrie took on this task in his spare time, using his vacation time while sitting on the Library of Congress Folklore Board. The Archives, initially housed in the Library of Congress, were expanded to take up the entire main floor of the Folger Shakespeare Library in 1964. While Guthrie was not involved in this part of the process, he certainly benefited from it, and his name was added to the Archives as a founding member in 1964. By the end of Guthrie’s active life, the Archives had become a real, living part of this country, helping preserve and make available recordings made by traditional artists of the past and present.
Guthrie’s Asch recordings, which totaled hundreds of songs, were released on 78 rpm records by the Music Box label in 1945, and then, after Asch and his associates went out of business, briefly by the Folkways label in the 1950s.
The Asch recordings are far more important in the history of the LP record than the Folkways recordings, and they still have a strong impact on the way Guthrie's songs are interpreted today, because they were the first to give his music a commercial label. The Asch recordings were also a milestone in the development of the American folk revival, which was gathering steam in the early 1940s.
All of these recordings were made on a small reel-to-reel tape recorder. Guthrie and Houston's vocals were constantly in and out of sync with the other instruments which could be heard throughout the recordings. Guthrie and the other musicians played a diverse mix of traditional instruments, notably banjo, fiddle, and guitar and traditional European instruments like the accordion and the violin, as well as the more modern instruments like the clarinet and the saxophone. The band members' renditions of Guthrie's songs have an immediacy which is more anachronistic in tone than he intended, but Guthrie is best known for the more tender ballads he favored, and Houston's haunting, high-pitched vocals, which often seem to be co-existing with Guthrie's lyrics.
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